Second version

What is That, 2013, acrylics on paper, 50x52in.

I decided I wanted to keep the drawing version of this (see previous post), and not use it as underdrawing for a painting.  So what we have here is a separate piece, a painted version of the drawing, made without any underdrawing at all.  It's probably not finished, but it's a good start, and the sequential imagery gives the entire piece an allover quality. Meanwhile I'm probably going to leave the first version alone as it appears in the previous post.

second state

New work about sequences, early state

Charcoal and India ink on Stonehenge paper, 2013, 50x52in.

Work in progress, first state. 

LWOE sequence details

2013, Acrylics and charcoal on Stonehenge paper, each 10x13in.

Sequence in progress

Ten works in acrylic and charcoal on paper, each image 10x13in. 2013.  In progress. 

Black and whites

 2013, acrylic on paper, @40x50in.

 2013, acrylic on paper, @40x50in.

(1st state) 2013, acrylic on paper, @40x50in.

(1st state) 2013, charcoal on paper, each sheet @10x13in.

House paint

Two untitled paintings, each about 40x50in.  Commercial acrylic paint on Stonehenge paper, 2013.

Linocuts

A handful of linocut proofs, possible rewards for a Kickstarter project.  

Each print is two-color, printed with two separate lino pieces, 5x8inches, 2013.

Recent works in progress

Smile (2013) oil on canvas, 22x28in. 

 Interior with lamps (2013), oil on canvas, 14x16in.

 House with Front Porch and Gable (2013), oil on canvas, 16x18in.

Door (2013) oil on canvas, 16x18in.

Two-point stance, 2011, monotype, 8x6in.

Head of a Woman

2010, pastel, @11x15in.

Two works in progress

Staircase, 2012, oil on canvas, 18x60in.

 



Untitled, 2012, oil on canvas, 16x60in.



Continuing to play with images in sequence, and also slowly expanding the palette.  The second image uses titanium white, yellow ochre, burnt sienna, ultramarine blue, and ivory black.  The first was started with a paletter of alizarin crimson, pthalo blue and titanium white, then continued with ultramarine blue, burnt sienna, and titanium white.  Both paintings, as the heading says, are works in progress, and I'm pleased with the start, but expect to be working on them for a while. 

Work in Progress

 

Double staircase, 2012, oil on canvas, 18x60in.

Countdown to Halloween, 2012

I am firing up Caramel Apple Day again this year to have some fun posting Halloween images and take part in Countdown to Halloween. Come take a look spookrockers....

Hallway, monotype, 2012, 10x12in.